(1) Contrast the gentle tone of Dove’s Adolescence—I with Gwendolyn Brooks’s ironic We Real Cool. Comment on the cost of adolescent coming-to-knowledge.
(2) Apply the term lyric narrative to Thomas and Beulah. Determine which segments are most lyric and which are earthbound in straightforward narration.
(3) Compare Dove’s historical, female-centered scenarios with those of poets Anne Sexton, Cathy Song, and Lorna Dee Cervantes or of fiction writers Isabel Allende, Gabriel García Marquez, Maxine Hong Kingston, and Laura Esquivel.




















