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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Langston Hughes (1902–1967)

The master poet of the Harlem Renaissance and one of America's most translated authors, James Mercer Langston Hughes captured the blues stanza and the dialect music of mainstream black America. The rare professional poet and playwright who earned a living from publication, at the height of the Harlem Renaissance, he became America's first internationally known black writer. He attempted most literary venues, including short and long fiction, songs, history, humor, journalism, travelogue, juvenile literature, stage comedy, and screenplay. Hughes was an inveterate collector of bits of Afro-Americana gleaned from chance encounters, sonorous sermons, jingles and advertisements, and snatches of jazz tunes.

Hughes was born on February 1, 1902, in Joplin, Missouri. He grew up in Lawrence, Kansas, on a literary diet of the Bible and Crisis, the NAACP magazine. When his parents divorced in 1913 and his mother married a white man, he lived in her ramshackle apartment in Lincoln, Illinois. He served as class poet of his elementary school.

Hughes attended Central High School in Cleveland. After graduation, he lived in Mexico for fifteen months with his father, from whom he wheedled tuition to Columbia University. On the dismal train ride to Mexico, he displayed his literary promise with "The Negro Speaks of Rivers," which he wrote while crossing the Mississippi River near St. Louis. On his return north in 1921, he published it in Crisis.


About the Poet: 1 2 3 4
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