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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

John Berryman (1914–1972)

John Berryman, a talented scholar driven to write poetry, is best known for transforming his personal suffering into verse. Like Robert Frost and Randall Jarrell, he loved teaching poetry and felt most at home with literature and the humanities. For his own composition, he was adept at the song and sonnet but preferred large dramatic roles that altered his identity. He was influenced by Gerard Manley Hopkins, W. H. Auden, William Butler Yeats, and e. e. cummings; his aberrant syntax and multilevel language produced a poetic exhibitionism consistent with a flawed past and troubled mind.

At his birth on October 25, 1914, in McAlester, Oklahoma, the poet bore the surname of his parents, teacher Martha Little and John Allyn Smith, a bank examiner. In 1924, bankrolled by Martha's mother, his family moved to Tampa, Florida. In 1926, his father sank into despair over unwise speculation in real estate. One morning, he shot himself in the head outside his elder son's bedroom window. Berryman later wrote, "A bullet on a concrete stoop / close by a smothering southern sea / spreadeagled on an island, by my knee." Berryman suffered insomnia as he relived his family's pain.

Within ten weeks of his father's death, Berryman and his mother and brother resettled in Queens, New York, where he took the surname of his stepfather, bond dealer John Angus Berryman. He attended South Kent, a boarding school in Gloucester, Massachusetts, in his early teens. He lapsed into fainting spells and faked epileptic seizures; his willful craziness set the pattern of his mature years.


About the Poet: 1 2
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