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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Jean Toomer (1894–1967)

Toomer's on-again, off-again literary drive bemused his circle. They questioned why he seldom published and how he could afford to reject James Weldon Johnson's offer to publish his poems in Book of American Negro Poetry, which Toomer disdained because of its insistence on blacks only. Although Toomer persevered with a wealth of writing, including poems, novels, nonfiction, and short fiction, his career stalled. He produced only two works, the self-published book of sayings, Essentials (1931), influenced by Pennsylvania Quakers, and Portage Potential (1932). He went into a depression after his wife, novelist Marjorie Latimer, died giving birth to a daughter in August 1932. The publication of a rhapsodic long narrative poem, The Blue Meridian (1936), ended his role in the Harlem Renaissance.

At loose ends, Toomer was an artistic dropout turned Quaker. He withdrew into religious mysticism; his work passed out of print. He died on March 30, 1967, at a rest home in Bucks County, Pennsylvania, leaving unpublished a sizable sheaf of stories, drama, novels, and an autobiography. In 1974, Darwin Turner issued The Wayward and the Seeking: a Collection of Writings by Jean Toomer. Editors Robert B. Jones and the poet's second wife produced a subsequent verse anthology, The Collected Poems of Jean Toomer (1988). The boldness of Toomer's racial neutrality influenced subsequent students of the black experience, notably novelist Alice Walker.


About the Poet: 1 2 3
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