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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

James Wright (1927–1980)

Admired for depicting the little dramas lived by the lonely and alienated, poet James Arlington Wright probed the distances between people. A lyric romanticist in the tradition of Robert Frost and E. A. Robinson, Wright profited from classes with teachers John Crowe Ransom and Theodore Roethke. His literary output was phenomenal: seven poetry collections and seven volumes of translated verse, plus a prose anthology and seven posthumous volumes. The conversational ease of his voicing, fidelity to detail, and immediacy of subjects are evident in such titles as "A Note Left in Jimmy Leonard's Shack," "Confession to J. Edgar Hoover," and "At the Executed Murderer's Grave."

Wright was born into a family of Irish talkers and storytellers on December 13, 1927, in Martins Ferry, Ohio. His Midwestern working-class roots held firm through three decades of poetic portraits drawn from heartland realities. During the Depression, his father suffered layoffs from the Hazel-Atlas glass factory. Wright thrived on public speaking in grade school and began writing verse in high school. After being drafted into the United States Army during World War II, he wrote his mother to forward copies of Gerard Manley Hopkins' verse and Elizabeth Barrett Browning's Sonnets from the Portuguese. After he was mustered out while serving in occupied Japan, he took advantage of the G. I. Bill and entered the only school that showed interest, Kenyon College.


About the Poet: 1 2
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