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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Hart Crane (1899–1933)

Crane began writing in his teens while living with his grandparents in Cleveland and attending East High School; but later he dropped out of school. His first experience with the sea had set him off in his mid-teens to roam the streets in search of spiritual solace outdoors. In New York, he steamrolled friends with a manic gregariousness that approached hysteria. He played the role of poet in an effort to escape his troubled past.

Crane admired sea verse, the metrics of Edgar Allan Poe, Oscar Wilde's exotic diction, and Walt Whitman's urban romanticism, but he lacked the control of his first idol and the richness and forthright expression of the other two. He published "C-33" in Bruno's Weekly and "October–November" in The Pagan by age 18. Because he was dependent on handouts from family members, he returned to Ohio in despair to work as a riveter, advertising copywriter, candy store clerk, reporter for the Cleveland Plain Dealer, and laborer in a munitions plant while he edited The Pagan. Following his first homosexual affair, he alternated between flights of joy and confrontations with blackmailers.


About the Poet: 1 2 3 4
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