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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

H. D. (1886–1961)

A critic, novelist, translator, mystic, and poet, Hilda Doolittle, familiarly known by the pen name H. D., overthrew traditional male domination of myth to voice the female perspective. She produced the "signet," her term for an evocative, many-layered verse that influenced a generation of writers, including Allen Ginsberg and Denise Levertov. At heart a flamboyant narcissist, rambler, friend-maker, and creator, she toured much of the world and more of the self. The poems that record her search of the self epitomize imagism, the tight, precise construction of verse that calls up multiple meanings and implications through sound, rhythm, word etymology, and free-form syntax.

H. D. was born on September 10, 1886, in Bethlehem, a Moravian community in Pennsylvania. Her family moved to Philadelphia in 1895, when her father took charge of the Flower Observatory of the University of Pennsylvania. After excelling at classical and modern foreign language at Miss Gordon's School and the Friends' Central School in Philadelphia, she studied astronomy at Bryn Mawr for three semesters, from 1904 to 1906, before quitting. A three-sided romantic fling with poets Ezra Pound and Josepha Frances Gregg and the draw of London's literary circles superceded her interest in formal education. Her parents despaired of H. D.'s rebellion against home, school, and society, but allowed her to sail to Europe with the Greggs.

Before Ezra Pound introduced her to free verse, H. D. published children's stories in a Presbyterian magazine. At age 25, she resettled in London, cultivated literary friendships, and traveled before entering a twenty-three-year marriage to imagist poet and biographer Richard Aldington, editor of the Egoist, in October 1913. The couple collaborated on translations of Greek lyric verse until his departure with the British Army for France.


About the Poet: 1 2 3
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