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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Gwendolyn Brooks (1917–2000)

Brooks' verse sharpened in Riot (1969), Family Pictures (1970), Aloneness (1971), Broadside Treasury (1971), and Jump Bad (1971). This flood of new writings anticipated the height of her skills displayed in an urgent, fiercely militant collection, The World of Gwendolyn Brooks (1971), the last manuscript she entrusted to a white publisher. She contracted with black presses and published an impressionistic autobiography, Report from Part One: The Autobiography of Gwendolyn Brooks (1972), which showcases memories and photos of her younger brother Raymond.

Richer, fuller statements of black loyalties infuse Brooks' The Tiger Who Wore White Gloves (1974), Beckonings (1975), Primer for Blacks (1980), To Disembark (1981), The Near-Johannesburg Boy and Other Poems (1986), Gottschalk and the Grande Tarantelle (1988), and Winnie (1988). With the anthology Blacks (1987), Brooks began publishing through her own press. Her many achievements include election to the National Institute of Arts and Letters, and, in 1973, appointment to the poetry consultancy of the Library of Congress. A distinguished professor of English at Chicago State University, Brooks was the impetus for the Gwendolyn Brooks Center for Black Literature and Creative Writing, a continuation of her support for the next generation of artists.

Brooks died on December 3, 2000.


About the Poet: 1 2 3
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