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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Elizabeth Bishop (1911–1979)

While attending Vassar, ostensibly to study piano, Bishop read Henry James and Joseph Conrad and discovered American poets H. D., Emily Dickinson, and Walt Whitman. She regretted that she did not study more Greek and Roman poets, whom she considered sources of mastery. When the editors of The Vassar Miscellany rejected a submission of modern verse, she joined with classmates Mary McCarthy, Eleanor Clark, and Muriel Rukeyser in founding a less conventional literary journal, Con Spirito. With the aid of the college librarian, in 1934, Bishop established a friendship with mentor Marianne Moore that lasted until Moore's death in 1972. After graduating, Bishop produced evocative verse while living on an inherited income. Moore published a few of Bishop's poems in 1935 in Trial Balances, a collection of the works of beginning poets.

Bishop spent the next three years in Europe and North Africa, then settled in Key West, Florida, where the vigor of storms at sea and fishing trips empowered her verse. She then moved to Mexico. Her work appeared in Partisan Review and, in 1945, she won a $1,000 Houghton Mifflin Poetry Fellowship. In the late 1940s, friendships with Randall Jarrell and Robert Lowell sparked a new literary direction. From 1949 to 1950, she served the Library of Congress as poetry consultant, a prolific period that earned her the American Academy of Arts and Letters award and a Houghton Mifflin honor for North and South (1946).


About the Poet: 1 2 3
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