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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Edwin Arlington Robinson (1869–1935)

Robinson was distraught after the death of his mother from diphtheria in 1896 and left Maine permanently. He worked briefly at Harvard as a secretary and as a subway agent in New York City, then resettled in Peterborough, New Hampshire, at the MacDowell artist colony, where he stayed until 1935. His self-publication, The Torrent and the Night Before (1896), reissued as The Children of the Night (1897), demonstrates a gripping, dramatic seriousness, particularly in "Richard Cory" and "Luke Havergal," two of his more frequently anthologized and recited poems. Robinson's blank verse, influenced by his celibacy, agnosticism, binge drinking, and withdrawal from friends, showcases his pervasive distrust of humanity.

A turning point for Robinson occurred with Captain Craig (1902), which he wrote while living in midtown Manhattan. The volume found favor with President Theodore Roosevelt, who offered Robinson first a consular post in Mexico, then a job at the New York Custom House. For four years, Robinson lived in a Greenwich Village townhouse and profited from the undemanding customhouse post, which gave him time to rewrite and refine spare verbal portraits that became his trademark. He served on the Poet's Guild with Robert Frost, Edwin Markham, and Vachel Lindsay and wrote full time from 1910 until his death in 1935.


About the Poet: 1 2 3
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