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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Edwin Arlington Robinson (1869–1935)

The rare poet to succeed critically and financially, Edwin Arlington Robinson rejected the twentieth century's liberalized verse forms. His diverse application of traditional forms to the close-clipped, unconsciously cynical character study distinguished him in an era of rash experimentation. Only Robert Frost surpassed Robinson in Pulitzer Prize-winning volumes. Skilled at creating sustained ironies, Robinson preserved the best in nineteenth- century rationalism and respect for the individual — in particular, losers who cope daily with failure and falter without having attained their full potential. To criticism that his poetry was exceedingly depressing, he cryptically replied, "The world is . . . a kind of spiritual kindergarten, where millions of bewildered infants are trying to spell God with the wrong blocks."

Robinson was born in Head Tide, Maine, on December 22, 1869, and his poetry reflects the tastes and outlook of the New Englanders of Gardiner, where he grew up. A writer from age 11, he excelled at Latin and English. However, in 1893, after two years at Harvard, Robinson no longer had the money to stay in school and returned home to care for his ailing father. Following his father's death and a brother's mismanagement of family funds, he settled among family to write and play his violin and clarinet.


About the Poet: 1 2 3
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