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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Edna St. Vincent Millay (1892–1950)

A precocious Jazz Age feminist, social rebel, and popular literary figure, Edna St. Vincent Millay is arguably America's finest sonneteer. She earned a reputation for mastering verse drama and intricate, emotional poetry free of Victorian cant. With fluent, sensuous grace, she contained her passions in traditional poetic forms. Her poems espouse an intimate and, at times, detached knowledge of love, but she long put off suitors who threatened her free-spirited individuality and determination to write. Her mature talent retained a sensitivity and bravado that balance heartbreak with humor.

Millay was born on February 22, 1892, in Rockland, near Maine's Penobscot Bay, a setting for her naturalistic poems as well as such localized sonnets as "I Shall Go Back" and "The Cameo." The eldest and favorite of three girls, "Vincent" grew up in Camden under the loving hand of her mother, who reared three girls alone after her husband's abrupt departure in 1900. Encouraged to study piano and literature, Millay graduated from Camden High. Disliked for intellectual snobbery, she failed to win the post of class poet because spiteful classmates refused to vote for her.

At age 14, Millay published "The Land of Romance" in Current Literature. At age 19, and already the recipient of the Intercollegiate Poetry Society prize, she achieved a rare maturity with "Renascence," chosen from 10,000 entries for the anthology The Lyric Year (1912). The most enduring of her lines, "O world, I cannot hold thee close enough," introduces "God's World," an inventive self-revelation that earned lasting critical acclaim.


About the Poet: 1 2 3 4
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