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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Edgar Lee Masters (1868–1950)

One of America's most cited poets, Edgar Lee Masters pioneered the psychological character study. A neglected, one-book poet offhandedly admired for his Spoon River Anthology (1915), a collection of poetic laments spoken by different characters, he maintained his appeal through repeated anthologizing of his curt, often grimly regretful verse monologues. He is considered a transitional figure at the beginning of the twentieth century who drew on his readings of English Romantic poets, including Wordsworth, Keats, Shelley, and Browning, as well as the Americans Ralph Waldo Emerson and Walt Whitman, for a massive output of essay, drama, novel, biography, and history. Masters, a maverick by nature, refused to be drawn into arguments about criticism and poetic styles of writing. Rather, he consciously chose everyday naturalistic truths over dense poetic complexities.

Masters was a native of Garnett, Kansas, who grew up in Petersburg and Lewistown, Illinois, in grass country near Spoon River. During hard times, the family lived comfortably on handouts of clothing, firewood, apples, and root vegetables from his grandfather's farm, which Masters cherished as an oasis from an unhappy home life. In boyhood, he displayed an interest in publishing by working as a reporter, printer's helper, and storywriter and verse writer for magazines.


About the Poet: 1 2 3 4
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