It is later in the same day. Nora has avoided her children, fearing to pollute them. In a conversation with her old nurse, she tells the servant that the children will have to get used to seeing less of their mother from now on. This is Nora's first suggestion of withdrawing from the life she has lived up until now.
While Nora unpacks her costume from the box — the Italian fisher girl dress which reminds Torvald of their Italian honeymoon trip — Christine enters and busies herself in sewing a tear in the garment. They discuss Dr. Rank, and Christine is shocked by Nora's knowledge of inherited disease, a subject usually shielded from innocent ears. Being herself far from naive, she reproaches Nora for having borrowed the money from Dr. Rank to pay for Torvald's rest cure in Italy. Emphatically the girl denies it, for, she says, she would never allow herself placed in such a "horribly painful position" toward their old friend.
Torvald's appearance interrupts the conversation. Nora goes to greet him and then, very prettily, coaxes her husband once more to allow Krogstad to keep his position in the bank. Nora says she is afraid he might write malicious slander about Torvald in the newspapers, threatening his new position just as her father had once been threatened. This is the part of their dialogue which illuminates the character and circumstances of Nora's father, who was once a government official. Sent by the department to investigate the truth of the newspaper charges against her father, Torvald cleared his name; as a conquering hero, he then married the grateful daughter.
